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Film: The Key Concepts, by Nitzan Ben-Shaul
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Film: the Key Concepts presents a coherent, clear and exciting overview of film theory for beginning readers. The book takes the reader through the often conflicting analyses which make up film theory, illustrating arguments with examples from mainstream and independent films. It isolates 6 key concepts in film theory - the photogenic in film, dialectic film montage, film constructs, imaginary signifiers, voyeuristic pleasures and simulacra - each with its own, short essay. Through these concepts it covers the main sites in film theory: realism, formalism, structuralism, semiotics, Marxism, psychoanalysis, feminism, cognitivism, post-colonialism, postmodernism, gender and queer film theories. Each chapter stands on its own, tracing the historical evolution of each concept to the present. The book as a whole provides a complete overview of the evolution of film theory. In order to help introductory students, each chapter includes boxed summaries of key theorists, bulleted summaries and an Annotated Guide to Further Reading.
- Sales Rank: #2014929 in Books
- Brand: Brand: Bloomsbury Academic
- Published on: 2007-03-15
- Released on: 2007-03-15
- Original language: English
- Number of items: 1
- Dimensions: 9.19" h x .53" w x 6.28" l, .65 pounds
- Binding: Paperback
- 192 pages
- Used Book in Good Condition
Review
'An admirably clear and rigorous guide to the conceptual frameworks that have informed and influenced developments in film theory and film-making from Jean Epstein to Donna Haraway. Thoughtful and thought-provoking, it is also eminently readable and recommended for anyone interested in the intellectual history of cinema.' Pam Cook, author of The Cinema Book There are few introductions to the discipline of film studies that explore the major theories with this book's depth and attention to context... an exciting addition to the increasing body of sources about the sources of film theory. Screening the Past
About the Author
Nitzan Ben-Shaul is Senior Lecturer at the Film and Television Department in Tel Aviv University. He is the author of Mythical Expressions of Siege in Israeli Films, Introduction to Film Theories and A Violent World: Competing Images of Middle East Conflicts.
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